{"id":6161,"date":"2024-04-12T16:50:05","date_gmt":"2024-04-12T13:50:05","guid":{"rendered":"https:\/\/brasovjazz.ro\/?p=6161"},"modified":"2024-08-02T12:25:33","modified_gmt":"2024-08-02T09:25:33","slug":"markus-stockhausen-group-de","status":"publish","type":"post","link":"https:\/\/brasovjazz.ro\/2024\/markus-stockhausen-group-de\/","title":{"rendered":"Markus Stockhausen Group (DE)Vineri, 16 august, ora 18.30<\/span>"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”top” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”padding-2-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color=”#e65e27″ background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” font_color=”#f2f2f2″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” column_padding_type=”default” gradient_type=”default”][vc_column_text]\n
Markus Stockhausen \u2013 flugelhorn, trumpet, electronics<\/em>
\nJ\u00f6rg Brinkmann \u2013 cello, electronics<\/em>
\nJeroen van Vliet \u2013 piano, keyboard<\/em>
\nChristian Thom\u00e9 \u2013 drums<\/em><\/h5>\n[\/vc_column_text][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”2\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_btn size=”large” open_new_tab=”true” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” text=”CUMP\u0102R\u0102 BILET” url=”https:\/\/biletebrasov.ro\/eveniment\/brasov-jazz-blues-festival-2024-ziua-2\/” margin_bottom=”5″][vc_column_text]Trompetistul \u0219i compozitorul Markus Stockhausen<\/strong> (Germania), cunoscut \u00een special pentru contribu\u021biile sale \u00een domeniul muzicii contemporane \u0219i de jazz, va crea momente magice pe scena din Pia\u0163a Sf. Ioan, aduc\u00e2nd la via\u021b\u0103 lumi interioare cu o deosebit\u0103 sensibilitate muzical\u0103.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_video link=”https:\/\/www.youtube.com\/watch?v=SZ9cZs7niz4″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Fiu al celebrului compozitor Karlheinz Stockhausen, Markus \u0219i-a \u00eenceput cariera la 12 ani, c\u00e2nd a \u00eenceput s\u0103 studieze trompeta. Ulterior, \u0219i-a dezvoltat abilit\u0103\u021bile de compozitor \u0219i a explorat diverse stiluri muzicale, inclusiv jazz-ul \u0219i muzica electronic\u0103. Stockhausen are \u00een discografie peste 90 de albume, ap\u0103rute la label<\/em>-uri prestigioase precum ECM sau ACT, \u015fi, de-a lungul anilor, a sus\u021binut numeroase concerte, inclusiv la Scala din Milano \u015fi Covent Garden, fiind recunoscut ca unul dintre cei mai importan\u021bi trompeti\u0219ti \u0219i compozitori ai genera\u021biei sale \u00een domeniul muzicii contemporane.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”6166″ image_size=”full” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” img_link_large=”yes” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Four improvising musicians – they are among the best in their field. Markus Stockhausen, winner of the 2021 German Jazz Prize for Brass Instruments, presents a new line-up for his quartet with pianist Jeroen van Vliet. Joy of playing and masterful skill – colorful compositions, inspired improvisations and intuitive playing combine to form a harmonious whole, eliciting unexpected sounds from the instruments. All the musicians also use electronic extensions of their instruments. They are virtuosos in classical music as well as jazz and place high demands on their sound culture, always in search of the ‘magic moment’ on stage. Through their intuitive interplay, they bring inner worlds to life with musical sensitivity. They throw the themes to each other like balls, sometimes complex, virtuoso tone or chord sequences, lively and jazzy, then again harmonious and melodious, calm and inward. A captivating musical experience.<\/p>\n

As a trumpet soloist, improviser and composer at home in jazz as well as in contemporary and classical music, Markus Stockhausen is one of the most versatile musicians of our time internationally and is known as a musical border crosser – always in search of new forms of expression. After „Wild Life” and „Tales”, „Celebration” is now being released. On their third album, the Markus Stockhausen Group celebrates the life, music and friendship of their quartet with six wonderful guest musicians from many different countries. As the previous album „Tales” (o-tone music) already showcased many facets of the group, this time they really want to „celebrate” and enrich their music with the extraordinary musicality of those guest soloists.<\/p>\n

Press To the last album \u201cTales\u201d:<\/p>\n

\u201ca sound experience of a special kind. [\u2026] But the album is also so full of surprises. \u201cA Music Book of Tales\u201d \u2013 a sounding music book with stories Stockhausen wanted to present. The trumpeter and composer with a certain self-confidence has absolutely succeeded in doing so.\u201d \u2013 SWR2<\/p>\n

\u201cFrictions and tensions arise, but no self-assertion needs. The music is carried by a generous consensus and marked by a serene sense of time.\u201d \u2013 Frankfurter Rundschau<\/p>\n

\u201cIn Stockhausen\u2019s compositions like \u201cSunday Morning\u201d and \u201cShades Of A Bliss\u201d there are clearly structured sequences. His Band der vier Temperamente with cellist J\u00f6rg Brinkmann, pianist Jeroen van Vliet and drummer Chrtistian Thom\u00e9 sets accents with architectural exactness.\u201d\u2013 Jazzthing<\/p>\n

\u201cStockhausen\u2019s clear, dignified tone is a joy throughout; one simply enjoys following his lines. Not least because of Brinkmann\u2019s cello and the lack of bass, the music exhibits a transparent lightness that is unparalleled. Jeroen van Vliet convinces with a subtle touch and a permanently perceptible sense for large musical arcs, and Christian Thom\u00e9\u2019s playing is distinguished by a subtle power that is always oriented to the ensemble sound and never presses the music into a simple scheme.\u201d \u2013 Jazzthetik[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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